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ACTIONS [SHARESPACE V] (2018-2020) 34', cf. SERIES OF WORKS as well as ELECTROACOUSTIC
Solo Piano, Real-time algorithmic transformation
First performance: 30 October 2023
Eric Huebner, pianist
Jacob Sundstrom, computer musician
Library of Congress, DC
Commissioned by Eric Huebner
Wise Music Classical Hire [Four Real-Time Algorithms]
Wise new entry
Again (originally titled Template Series One) [rev. 1971-74]
(1970) 30'
2 Sopranos, 2 Fl, 2 Tbn, 2 Perc, 2 Db,
Quadraphonic electroacoustic sound, amplification, optional lighting
First performance: 20 July 1970
American Festival, Nuits de la Fondation Maeght, St-Paul-de-Vence
Evenings for New Music Ensemble, Lukas Foss, Conductor
Wise Music Classical Purchase [score] and Hire [11 scores needed for performance, sound files]
The Angel of Death, cf. SOLO WITH ENSEMBLE
Solo Piano, Chamber Orchestra,
6-channel computer processed sound
AngelSpace (2010) 25’
Real-time interactive computer music
EXPLANATORY TEXT, by Jacob Sudol with Roger Reynolds, is the score.
First performance: 4 June 2010
Jacob Sudol, Computer Musician
Stony Brook University, Long Island, New York
ICMC 2010 New York
ELECTROACOUSTIC
Wise Music Classical Purchase [EXPLANATORY TEXT] and Hire [sound files, Explanatory Text]
Wise new version
Archipelago, cf. INSTRUMENTAL ENSEMBLE
Chamber Orchestra (32 players),
4- or 8-channel computer processed sound
Ariadne's Thread, cf. STRINGS
String Quartet, Computer generated sound
...brain ablaze...she howled aloud, cf. INSTRUMENTAL
ENSEMBLE
One, two, or three Piccolos, Computer processed sound, Real-time computer
spatialization
Compass, cf. VOICE(S) AND INSTRUMENT(S)
Tenor, Bass, Vc, Db, Quadraphonic electroacoustic sound,
35mm slide projections
Dervish (1962), cf. INSTRUMENTAL ENSEMBLE
Piano, Percussion, Db,
Stereophonic electroacoustic sound
Dream Mirror [SHARESPACE I] (2010), cf. SERIES OF WORKS as well as ELECTROACOUSTIC
Solo Guitar, Real-time algorithmic transformation
First Performance: 1 April 2011
Pablo Gómez Cano, Guitar, Jaime Oliver, Computer Musician
"Music of Roger Reynolds"
Centro Mexicano para la Música y Artes Sonoras
Conservatorio de las Rosas
Morelia, Mexico
Wise Music Classical Purchase [score] and Hire [4 scores needed for performance, sound files or real time computer processing, Four Real-Time Algorithms]
Dream Mirror is referenced in the film FOR A REASON by Kyle Johnson at 20:30 - 22:30, 31:54 - 32:30, 39:56 - 41:07, 49:53 - 52:20
The Dream of the Infinite Rooms, cf. ORCHESTRA
Solo Cello, Orchestra, Quadraphonic computer processed sound
Eclipse [Voicespace III] ELECTROACOUSTIC VERSION (1979) 17', cf. SERIES OF WORKS as well as ELECTROACOUSTIC
Electroacoustic vocal work
Quadraphonic computer generated and processed sound,
Electronically processed voices
Text fragments by Issa, Melville, Stevens,
Borges (The Moon, The Other Tiger ["...in the sun or deceptive moonlight..."]),
Joyce, García Márquez
Recorded voices: Carol Plantamura, Philip Larson
Recordings: Roger Reynolds
Technical assistance: Loren Rush
First performance: 18 February 1982
Symphony Space, New York City
(Concert in honor of Ross Lee Finney)
1976 Bicentennial Year National Endowment for the Arts Award (sound version)
Wise Music Classical Hire [video, sound files, projections; this work has no score]
[The video version and electroacoustic version share the same sound files.]
Eclipse [Voicespace III] MULTIMEDIA (VIDEO) VERSION, cf. MULTIMEDIA and SERIES OF WORKS
FLiGHT (Stage 1) cf. MULTIMEDIA
String Quartet, Multiple projection surfaces, Multichannel sound distribution
...from behind the unreasoning mask, cf. INSTRUMENTAL
ENSEMBLE
Trombone, Percussion (+ Assistant),
Quadraphonic electroacoustic sound
Here and There, cf. PERCUSSION
Percussion
The Image Machine (2005) 25'
Real-time interactive computer music
Roger Reynolds, Computer, Pei Xiang, Musical assistant
First performance: 6 October 2005
Roger Reynolds, computer
Ultima Festival, Oslo
Wise Music Classical Hire [Reynolds computer paradigm]
Wise new entry
Here and There is referenced in the film FOR A REASON by Kyle Johnson at X:YY and Z:VV appering at 7:21-12:10, 34:57-37:40 & 53:00-53:45
The Ivanov Suite (1991) 32'20"
Quadraphonic omputer processed sound
(originally in an 8-channel format)
I. Trumpet Dream, II. The Scream, III. Religious Music,
IV. The Brides, V. Piccolo Dream,
VI. Monogatari ("Stories"), VII. Primitive Music
First performance: 5 July 1992
Computer Music Conference/Festival, Delphi, Greece
Commissioned by the Rockefeller Foundation
Wise Music Classical Hire [sound files; this work has no score]
Wise new entry
Justice, cf. MUSIC FOR THEATER and SERIES OF WORKS
Actress, Soprano, Percussion, Multichannel computer sound, Staging
Text assembled by the composer from Aeschylus and Euripides
Less Than Two, cf. INSTRUMENTAL ENSEMBLE
2 Pianos, 2 Percussion,
Quadraphonic computer generated sound
MARKed MUSIC [SHARESPACE II] (2011) 18' , cf. SERIES OF WORKS as well as ELECTROACOUSTIC
Solo Contrabass, Real-time algorithmic transformation
First performance: 25th August 2011
Mark Dresser, Contrabass, Jaime Oliver, Computer Musician
The Stone, New York City
Wise Music Classical Purchase [score] and Hire [2 scores needed for performance, sound files or real-time computer processing, Four Real-Time Algorithms]
A Merciful Coincidence [Voicespace II] ELECTROACOUSTIC VERSION (1976) 36', cf. SERIES OF WORKS as well as ELECTROACOUSTIC
Quadraphonic vocal montage
Text: extract from Watt, a novel by Samuel Beckett
First performance ELECTROACOUSTIC VERSION: 11 December 1976
Currents Series, Theatre Vanguard, Los Angeles
1976 Bicentennial Year National Endowment for the Arts Award
Wise Music Classical Hire [sound files; this work has no score]
WISE new entry
A Merciful Coincidence [Voicespace II] THEATER VERSION, cf. MUSIC FOR THEATER and SERIES OF WORKS
Not Only Night, cf. VOICE(S) AND INSTRUMENT(S)
Soprano, Fl (Picc), E♭clb (B-cl), Pf, Vl, Vc,
Stereophonic computer processed sound
Odyssey, cf. VOICE(S) AND INSTRUMENT(S)
(originally titled Entre le galet et la dune)
Mezzo Soprano, Bass Baritone, Ensemble (16 players),
8-channel [4 + 4] computer processed sound, lighting
The Palace [Voicespace IV], cf. SOLO and SERIES OF WORKS
(Modest staging) Bass Baritone, Quadraphonic computer processed sound
PERSISTENCE [SHARESPACE VI] (2019-2023) 30' ACOUSTIC VERSION, cf. SERIES OF WORKS as well as ELECTROACOUSTIC
Cello, Computer musician, sound files
First performance: 30 March 2023
Peter Ko, cellist
Jacob Sundstrom, computer musician
IDEAS Event in the Auditorium for California Institute for Telecommunications and Information Technology
La Jolla, California
Wise Music Classical Purchase [score] and Hire [2 scores needed for performance, sound files or real-time computer processing, Four Real-Time Algorithms]
Wise new entry
PERSISTENCE is referenced in the film FOR A REASON by Kyle Johnson at 14:29 - 19:08
Personae, cf. SOLO WITH ENSEMBLE
Solo Violin, Chamber Ensemble,
Stereophonic or Quadraphonic computer processed sound
Ping, cf. MULTIMEDIA
Fl, Perc (Harmonium, Bowed Tam Tam, Bowed Cymbal), Pf,
35mm slide projections, 16mm film,
Quadraphonic electroacoustic sound, live electronic processing
Positings, cf. INSTRUMENTAL ENSEMBLE
Flute/Piccolo, French horn, Violin, Cello, Piano, Real-time sound spatialization
Process and Passion, cf. STRINGS
Violin, Cello, Computer processed sound, Real-time computer spatialization (optional)
The Red Act Arias, cf. ORCHESTRA and SERIES OF WORKS
Orchestra, Chorus, Narrator, 8-channel computer processed and spatialized
vocal, instrumental, and environmental sound
The Red Act Arias Suite 2001 (1997-2001) 15' SERIES OF WORKS as well as ELECTROACOUSTIC
Multichannel computer processed sound
First performance (Final Version): 8 May 2001
Warren Lecture Halls – Studio A, University of California San Diego
First performance (1st Version): 4 May 1998
Programa Musicistas, Instituto de Artes da Universidade Federal do Rio Grande do Sul,
Porto Alegre, Brazil
Wise Music Classical Hire [sound files; this work has no score]
SANCTUARY I, II, III, cf. PERCUSSION
Percussion Quartet, Real-time computer processed and spatialized sound, Lighting
design
SEASONS: Cycle I, cf. INSTRUMENTAL ENSEMBLE
Flute, Bass Clarinet, Violin, Cello, Percussion, Real-time computer sound processing
...the serpent-snapping eye... (1978) 20', cf. INSTRUMENTAL ENSEMBLE as well as ELECTROACOUSTIC
Tpt, Perc, Pf, Quadraphonic computer synthesized sound
First performance: 31 January 1979
Mandeville Center for the Arts, La Jolla, Sonor Ensemble,
Edwin Harkins, Trumpet, Jean-Charles François, Percussion, Cecil
Lytle, Piano
National Endowment for the Arts Award
Wise Music Classical Purchase [score] and Hire [4 scores needed for performance, sound files]
Shifting/Drifting (2015) 23'37" [SHARESPACE IV], cf. SERIES OF WORKS as well as ELECTROACOUSTIC
Solo Violin, Real-time algorithmic transformation
First performance: 25 September 2015
Irvine Arditti, Violin, Paul Hembree, Computer Musician
ArtPower
Experimental Theater
Conrad Prebys Music Center
La Jolla, California
Wise Music Classical Purchase [score] and Hire [sound files or real-time computer processing, Four Real-Time Algorithms]
Shifting / Drifting is referenced in the film FOR A REASON by Kyle Johnson at 2:48 - 4:30, 57:45 - 1:01:55
SKETCHBOOK (for The Unbearable Lightness of Being), cf. SOLO
Low female voice accompanying herself at the piano, electronic processing
Still [Voicespace I] (1975) 21'35", cf. SERIES OF WORKS as well as ELECTROACOUSTIC
Electroacoustic vocal work
Quadraphonic electroacoustic sound
Text from The Wanderings of Cain by Samuel Taylor Coleridge
First performance: 27 October 1976
Sixth Annual Contemporary Music Festival, Las Vegas
1976 Bicentennial Year National Endowment for the Arts Award
Wise Music Classical Hire [sound files; this work has no score]
Submerged Memories, cf. SOLO WITH ENSEMBLE
Narrator, B-cl, Vln, Elect Gtr, Perc,
Electroacoustic processing, Visual projections
Summer Island (Islands from Archipelago: I), cf. SOLO
Solo Oboe, Quadraphonic computer processed sound
Toward Another World: LAMENT [SHARESPACE III] (2010-2017) 25'07", cf. SERIES OF WORKS as well as ELECTROACOUSTIC
Solo Clarinet, Real-time algorithmic transformation
First performance: 31 July 2017
Anthony Burr, Solo Clarinet, Jacob Sundstrom, Real-time algorithmic transformation
Society for Music Perception and Cognition Conference
Calit2 Auditorium
University of California San Diego
Wise Music Classical Purchase [score] and Hire [2 scores needed for performance, sound files or real time computer processing, Four Real-Time Algorithms]
Traces, cf. PIANO
Piano, Fl, Vc, Multichannel electroacoustic sound (6 channels [3 stereo pairs]),
Real-time electronic signal processing
Transfigured Wind II, cf. ORCHESTRA
Solo Flute, Orchestra, Quadraphonic computer processed sound
Transfigured Wind III, cf. SOLO WITH ENSEMBLE
Solo Flute, Chamber Orchestra (14 players),
Quadraphonic computer processed sound
Transfigured Wind IV, cf. SOLO
Solo Flute, Quadraphonic computer processed sound
The Vanity of Words [Voicespace V] (1986) 20'12", cf. SERIES OF WORKS as well as ELECTROACOUSTIC
Electroacoustic vocal work
Stereophonic computer processed sound
Text drawn from The Unbearable Lightness of Being by Milan Kundera
First performance: 6 June 1987
Festival International de Musique Expérimentale, Bourges
Voicespace V was not a commission.
Wise Music Classical Hire [sound files; this work has no score]
Versions/Stages I-V (1986-91) 25', cf. SERIES OF WORKS as well as ELECTROACOUSTIC
Computer processed sound
I. Cello Dream, II. Dionysus (Text: Tadashi Suzuki's
adaptation of Euripides's The Bacchae), III. Waterfall,
IV. Farewell Cult (Text: Tadashi Suzuki's
"The Farewell Cult"), V. Ocean
First presentation of I-V: 29 March 1994
Intercambio/Exchange Concerts, CRCA, La Jolla
Wise Music Classical Hire [sound files, this work has no score]
Symphony[Vertigo] (1987) 23', cf. ORCHESTRA
Orchestra, Quadraphonic computer processed sound
2 Fl (II = Picc), A-fl, 2 Ob, Ca, 2 Cl (II = E♭clb), B-cl, 2 Bsn, Cbsn,
4 Hn, 3 Tpt, 2 Tbn, B-tbn, Tba, Perc, Pf, Hp, Str
Vertigo ELECTROACOUSTIC VERSION (1985) 17'
Quadraphonic computer processed sound
First performance: 25 April 1987
New and Unusual Music, San Francisco
Written under the auspices of the Systems Development Foundation
Vertigo VIDEO VERSION, cf. MULTIMEDIA
Watershed III (1995) 31', cf. SOLO WITH ENSEMBLE
Solo Percussion, Chamber Orchestra,
Optional real-time computer sound spatialization
Fl (Picc), Ob, Cl, B-cl, Hn, Tpt, B-tbn, Pf, 2 Vln, Vla, Vc, Db
Watershed IV (1995) 29'
Solo Percussion, Real-time computer sound spatialization
First performance: 11 April 1996
Mandeville Center for the Arts, La Jolla
Steven Schick, Percussion, Peter Otto, Spatialization
TECHNICAL SCORE by Roger Reynolds
Wise Music Classical Purchase [score, WATERSHED Technical Score] and Hire [2 scores needed for performance, sound files, WATERSHED Technical Score]
Watershed V (2020)
Solo Percussion, Stereophonic algorithmically generated "Shimmer"
First performance: 1 September 2020
SC–FESTIVAL
Mathias Reumert, Percussion
Copenhagen, Denmark
Wise Music Classical Purchase [score forthcoming] and Hire [2 scores are needed for performance, stereophonic sound files]
Wise new entry
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