Roger Reynolds

Updated 10 April 2024

Back to Compositions

INSTRUMENTAL ENSEMBLE

Except for some works which remain in manuscript form in the Reynolds Archive, all compositions are published by or are on rental from Wise Music Classical, Part of Wise Music Group. In the case of certain works, viewers may be asked to contact the composer directly for information.


VP NEW MUSIC AND RIGHTS: Gene Capriolio
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RENTAL LIBRARY MANAGER: Laura Lynch
laura.lynch@editionpeters.com 


Roger Reynolds info@rogerreynolds.com



 

Aether, cf. SOLO
Violin, Piano


Archipelago (1982-83) 32.5'
Chamber Orchestra (32 players),
4- or 8-channel computer processed sound
2 Fl (2 Picc), 2 Ob (2 Ca), 2 Cl (Cl Eb, B-cl), 2 Bsn (2 Cbsn)
2 Hn, 3 Tpt, 2 Tbn, 1 Tba, 3 Perc, Pf, Ampf Hpd, Hp, Str (3, 0, 2, 2, 2)
First Performance: 15 February 1983
Georges Pompidou Center, Paris
Ensemble Intercontemporain, Péter Eötvös, Conductor
Commissioned by Mme Pierre Schlumberger for Ircam

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Islands of Archipelago:

Summer Island (Islands from Archipelago: I) (1984) 11'30", cf. SOLO
Solo Oboe, Quadraphonic computer processed sound

Autumn Island (Islands from Archipelago: II) (1986) 13', cf. SOLO
Solo Marimba



...between... (1968) 17'
2 Fl, 2 Ob, 2 Cl, 2 Bsn, 2 Hn, 2 Tpt, 2 Tbn, Perc, Pf, Str,
Live electronic processing (ring modulator,
sound distribution device, function generator)
First performance: 10 March 1970
Music Educators National Conference, Chicago
Hope College Symphonette, Harrison Ryker, Conductor
Commissioned by Hope College

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...brain ablaze...she howled aloud (2000-2003) 22', cf. SERIES OF WORKS as well as INSTRUMENTAL ENSEMBLE
One, two, or three Piccolos, Computer processed sound, Real-time computer spatializatio
First complete performance and European premiere: 6 May 2003
Anne La Berge, Carin Levine, Jäckle Burkhard, Piccolos
Roger Reynolds, Computer spatialization and processing
Bavarian Radio/Musica Viva
Munich, Germany

First performance: 14 June 2000
John Fonville, Rachel Rudich, Piccolos,
Christopher Mercer, Computer spatialization and processing
June in Buffalo, New York
Commissioned by June in Buffalo

PROGRAM NOTE


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CO-EXISTENCE (2023)
Instrumental Septet, computer processing
First performance: 21 May 2023
WasteLAnd
Nicholas Deyoe, conductor
Jacob Sundstrom, computer musician
Experimental Theater
CPMC, UC San Diego
La Jolla


For inquiries regarding CO-EXISTENCE, contact the composer directly: info@rogerreynolds.com.

A Crimson Path (2000-2008) 26'30"
Cello and Piano
First performance (complete version): 16 November 2002
Christophe Roy, Cello, Pascale Berthelot, Piano
Festival Why Note?
Dijon, France

First performance (Movement I): 10 May 2000
Rohan de Saram, Solo Cello, Druvi de Saram, Piano
Rencontres d'ensembles de violoncelles, Beauvais, France

Movement I: 29 September 2000
Rohan de Saram, Solo Cello, Druvi de Saram, Piano
Parma, Italy

This work is co-commissioned by Rencontres d'ensemble de violoncelles in Beauvais
and by Why Note? Festival in Dijon

INSTRUMENTAL ENSEMBLE

Wise Music Classical
Sheet Music Plus Purchase



Dionysus (1990) 14.5'
Chamber Ensemble (8 players)
Fl (Picc), Cl (B-cl), Hn, Tpt, B-tbn, Perc, Pf, Db
First performance: 1 July 1990
Music of Our Time, Indiana University, Bloomington
New Music Ensemble, Harvey Sollberger, Conductor
Commissioned by Indiana University

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Dream Mirror, [Sharespace I], cf. ELECTROACOUSTIC and SERIES OF WORKS
Solo Guitar, Real-time algorithmic transformation


Elegy – for Toru Takemitsu, cf. ORCHESTRA
Solo Flute, Percussion, String Orchestra


...from behind the unreasoning mask (1974-75) 17'
Trombone, Percussion (+ Assistant),
Quadraphonic electroacoustic sound
First performance: 29 January 1975
Fifth Annual Contemporary Music Festival, Las Vegas
Ted Grove, Trombone, Jean-Charles François, Percussion,
Roger Reynolds, Assistant

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Gathering (1965) 10'
Woodwind Quintet
First performance: 12 July 1966
Holland Festival, Amsterdam, Danzi Quintet

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Less than Two (1978) 22'
2 Pf, 2 Perc, Quadraphonic computer synthesized sound
First performance: 23 February 1979
Library of Congress, Washington, DC
James Freeman, Gilbert Kalish, Pianos,
Raymond DesRoches and Richard Fitz, Percussion
Commissioned by DesRoches, Fitz, Freeman, Kalish

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Mistral (1984-1985) 21'
2 Tpt, 2 Tbn, 2 Hn, Amp Hpd, 2 Vln, 2 Vc, 2 Db

First performance: 12 February 1985
Symphony Space, New York City
The Group for Contemporary Music, Harvey Sollberger, Conductor
Commissioned by The Group for Contemporary Music and the
Lontano Ensemble of London, Odaline de la Martinez, Director

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Mosaic, cf. SOLO
Flute (Piccolo), Piano



Odyssey, cf. VOICE(S) AND INSTRUMENT(S)
(originally titled Entre le galet et la dune)
Mezzo Soprano, Bass Baritone, Ensemble (16 players),
8 channels [4 + 4] of computer processed sound, lighting


Of This Word’s Being … heard / not heard (2014) 10'
Soprano, Flute, Piano, Percussion, 26 slides
Text: from the writings of Heraclitus, as assembled by the composer

First performance: 20 September 2014
Alice Teyssier, Soprano, Ine Vanoeveren, Flute,
Brendan Nguyen, Piano, Jonathan Hepfer, Percussion
Musica Sacra Maastricht
Maastricht, The Netherlands
Commissioned by Musica Sacra Maastricht

Wise Music Classical
Sheet Music Plus Purchase


Only Now, and Again (1977) 11'
Fl, 2 Picc, Ob, Cl Eb, Cb-cl, A-sax, Bsn, Cbsn,
Hn, 4 Tpt, 2 Tbn, 2 B-tbn, 2 Tba, 3 Perc, Pf
First performance: 6 May 1977
National Association of Wind Ensembles
NIU Wind Ensemble, Larry Livingston, Conductor
Milwaukee, Wisconsin
Commissioned by the Fromm Foundation at Harvard and the
Northern Illinois University Wind Ensemble


Pre-premiere: 23 January 1977
NIU Wind Ensemble, Larry Livingston, Conductor
Northern Illinois University, DeKalb, Illinois

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'O'o (2018) 20'
Flute and String Quartet
Robert Aitken, Flute
Iris String Quartet
Yolanda Bruno, Mark Lee, Rory McLeod, Leana Rutt

First performance: 14 June 2018
New Music Concerts event on 21C Music Festival
The Royal Conservatory of Music, Toronto, Canada
Commissioned by New Music Concerts and the Lunenburg Academy of Music Performance, with the financial assistance of The Koerner Foundation; The Merryweather Fund; Austin and Beverly Clarkson; Camille Watts; Véronique Lacroix and Paul Taub
PROGRAM NOTE


Wise Music Classical



Personae, cf. SOLO WITH ENSEMBLE
Solo Violin, Chamber Ensemble,
Stereophonic or Quadraphonic computer processed sound



Ping, cf. MULTIMEDIA
Fl, Perc (Harmonium, Bowed Tam Tam, Bowed Cymbal), Pf,
35mm slide projections by Karen Reynolds,
16mm film by the composer (1968) as restored by Ross Karre (2011),
Quadraphonic electroacoustic sound, live electronic processing
Text: the short story by Samuel Beckett


Positings (2012-2013) 25'
Flute/Piccolo, French horn, Violin, Cello, Piano, Real-time sound spatialization

First performance: 2 March 2013
Southwest Chamber Music
Jeff von der Schmidt, Artistic Director
Larry Kaplan, Flute/Piccolo, Andrew Pelletier, French horn,
Lorenz Gamma, Violin, Peter Jacobson, Cello,
Ming Tsu, Piano, Paul Hembree, Computer
Ambassador Auditorium, The Colburn School, Los Angeles
Commissioned for the 25th anniversary of Southwest Chamber Music
by The James Irvine Foundation and the Clarence E. Heller Charitable Foundation

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TECHNICAL MANUAL
Four Real-Time Algorithms, Roger Reynolds (with Jaime E. Oliver and Paul Hembree) (2015)
Technical manual for the use of software in the works of Roger Reynolds (SEASONS: Cycle 1, Dream Mirror, MARKed MUSIC, Toward Another World: LAMENT, Positings, george WASHINGTON, FLiGHT, "Shifting, Drifting," ACTIONS, PERSISTENCE)
UPDATE IN PROGRESS



The Promises of Darkness (1975) 22'
Fl, Cl, Bsn, Tpt, Hn, Tbn, Perc, Pf, Vln, Vc, Db

First performance: 8 January 1976
Lincoln Center, New York City
Contemporary Chamber Ensemble, Arthur Weisberg, Conductor
Commissioned by Arthur Weisberg Wise Music ClassicalPurchase and Hire



Process and Passion (2002) 22'
Violin, Cello, Computer musician
Computer processed sound, Real-time computer spatialization (optional)

First Performance: 15 November 2002
Nicolas Miribel, Violin, Alexis Descharmes, Cello,
Frédéric Voisin, Technical support
Festival Why Note?
Dijon, France
Commissioned by Festival Why Note?

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Quick Are the Mouths of Earth (1964-65) 19'
3 Fl (3 Picc), Ob, Tpt, Tbn, B-tbn, 2 Perc, Pf, 3 Vc

First performance: 24 November 1965
Lincoln Center, New York City
Contemporary Chamber Ensemble, Arthur Weisberg, Conductor

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SEASONS: Cycle I (2009-2010) 50'
Flute, Bass Clarinet, Violin, Cello, Percussion, Real-time computer sound processing

First performance complete Cycle 1: 7 March 2010
Lisa Cella, Flute, Alexis Descharmes, Cello, Ross Karre, Percussion,
Jaime Oliver, Real-time computer sound processing
National Gallery of Art, DC
SEASONS: Cycle I is co-commissioned by New Music Concerts, the Randy Hostetler Living Room Music Fund, the National Gallery of Art
Movements may be performed separately.

TECHNICAL MANUAL
Four Real-Time Algorithms, Roger Reynolds (with Jaime E. Oliver and Paul Hembree) (2015)
Technical manual for the use of software in the works of Roger Reynolds (SEASONS: Cycle 1, Dream Mirror, MARKed MUSIC, Toward Another World: LAMENT, Positings, george WASHINGTON, FLiGHT, "Shifting, Drifting," ACTIONS, PERSISTENCE)
UPDATE IN PROGRESS



SEASONS: Cycle I a: Of Life and Spring 16'30"
Flute, Cello, Percussion, Real-time computer sound processing

First performance [Of Life and Spring]: 7 May 2009
John Fonville, Flute, Gabrielle Athayle., Cello, Steven Schick, Percussion,
Jaime Oliver, Real-time computer sound processing
Conrad Prebys Music Center, La Jolla

SEASONS: Cycle I is co-commissioned by New Music Concerts, the Randy Hostetler Living Room Music Fund, the National Gallery of Art

Wise Music Classical Cycle I a-d Hire
Movements may be performed separately.


SEASONS: Cycle I b: Understand: Nothing 9'30"
Violin, Bass Clarinet, Percussion, Real-time computer sound processing

First performance: 7 March 2010
Lina Bahn, Violin, Bill Kalinkos, Bass Clarinet, Ross Karre, Percussion,
Jaime Oliver, Real-time computer sound processing
National Gallery of Art, Washington, DC
SEASONS: Cycle I is co-commissioned by New Music Concerts, the Randy Hostetler Living Room Music Fund, the National Gallery of Art

Wise Music Classical Cycle I a-d Hire
Movements may be performed separately.


SEASONS: Cycle 1 c: With Awe and Tenderness 6'45"
Violin, Bass Clarinet, Percussion, Real-time computer sound processing

First performance: 7 March 2010
Lina Bahn, Violin, Bill Kalinkos, Bass Clarinet, Ross Karre, Percussion,
Jaime Oliver, Real-time computer sound processing
National Gallery of Art, Washington, DC
SEASONS: Cycle 1 is co-commissioned by New Music Concerts, the Randy Hostetler Living Room Music Fund,
the National Gallery of Art

Wise Music Classical Cycle I a-d Hire
Movements may be performed separately.


SEASONS: Cycle I d: A Mind of Winter 16'
Flute, Cello, Percussion, Real-time computer sound processing

First performance: 29 March 2009
New Music Concerts Ensemble
Jaime Oliver, Real-time computer sound processing
"Roger Reynolds and His Protégés"
Isabel Bader Theatre, Toronto, Canada

SEASONS: Cycle I is co-commissioned by New Music Concerts, the Randy Hostetler Living Room Music Fund,
the National Gallery of Art

Wise Music Classical Cycle I a-d Hire
Movements may be performed separately.



SUMMARY:
SEASONS: Cycle I & II (2009-2012)
Cycle I a: Of Life and Spring
Flute, Cello, Percussion, Real-time computer sound processing
Cycle I b: Understand: Nothing
Violin, Bass Clarinet, Percussion, Real-time computer sound processing
Cycle I c: With Awe and Tenderness
Violin, Bass Clarinet, Percussion, Real-time computer sound processing
Cycle I d: A Mind of Winter
Flute, Cello, Percussion, Real-time computer sound processing

TECHNICAL MANUAL
Four Real-Time Algorithms, Roger Reynolds (with Jaime E. Oliver and Paul Hembree) (2015)
Technical manual for the use of software in the works of Roger Reynolds (SEASONS: Cycle 1, Dream Mirror, MARKed MUSIC, Toward Another World, Toward Another World: LAMENT, Positings, george WASHINGTON, FLiGHT, "Shifting, Drifting," ACTIONS, PERSISTENCE)
UPDATE IN PROGRESS


Cycle II a: What's To Come
Soprano, Cl, Ob, Pf, Vl
Cycle II b: Surprised Accords
Soprano, Cl, Ob, Pf, Vl
Cycle II c: Something Resides...
Soprano, Cl, Ob, Bsn, Tbn, Pf
Cycle II d: When They Were Gone
Soprano, Cl, Ob, Bsn, Tbn, Pf


SEASONS: Cycle II, cf. VOICE(S) AND INSTRUMENT(S)
Soprano, Cl, Ob, Bsn, Tbn, Pf, Vl


...the serpent-snapping eye..., cf. ELECTROACOUSTIC
Tpt, Perc, Pf, Quadraphonic computer generated tape


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Shadowed Narrative (1978-81) 30'
Cl, Pf, Vln, Vc

First performance: 29 March 1982
Carnegie Recital Hall, New York City
The Da Capo Chamber Players
National Endowment for the Arts Award

Wise Music Classical Purchase



Shifting/Drifting, cf. ELECTROACOUSTIC and SERIES OF WORKS
Violin, Real-time algorithmic transformation



Toward Another World: LAMENT, cf. ELECTROACOUSTIC and SERIES OF WORKS
Solo Clarinet, Real-time algorithmic transformation



Traces, cf. PIANO
Piano, Fl, Vc, Real-time signal processing, 6-channel
[3 stereo pairs] electroacoustic sound



Transfigured Wind III, cf. SOLO WITH ENSEMBLE
Solo Flute, Chamber Orchestra (14 players),
Quadraphonic computer processed sound



Wedge (1961) 9.5'
2 Fl (2 Picc), 2 Tpt, 2 Tbn, Tba, Perc, Pf, Db

First performance: 10 February 1962
ONCE Festival, Ann Arbor
ONCE Chamber Ensemble, David Sutherland, Conductor