
Back to Music General Music History |
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The Notation of Polyphonic Music 900-1600 by Willi Apel |
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Musically Incorrect: by Hayes Biggs and Susan Orzel |
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Music in the Baroque Era by Manfred Bukofzer |
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America's Music by Gilbert Chase |
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Untersuchungen zum Streichquartettschaffen amerikanischer by Bettina Maria Ciechowski |
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Evenings on and off the roof: by Dorothy Lamb Crawford |
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A Celebration of American Music by Richard Crawford, et. al. |
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A History of Musical Style by Richard L. Crocker |
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Foundations of Music History by Carl Dahlhaus |
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Historical Anthology of Music by Archibald T. Davidson and Willi Apel |
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Circuit: by Nicloas Donin and Jonathan Goldman |
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The History of Music in Performance by Frederick Dorian |
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Venice Biennale Musica: Altra Voce Altro Spazio by Ivan Fedele, et. al. |
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Resonacé No. 11 by Denis Fortier, et. al. |
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Resonacé No. 1 by Daniel Fournier, et. al. |
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Resonacé No. 7 by Alain Galliari, et. al. |
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Resonacé No. 8 by Alain Galliari, et. al. |
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Resonacé No. 2 by Andrew Gerzso, et. al. |
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Resonacé No. 10 by Alain Giffard, et. al. |
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Instruments in the History of Western Music by Karl Geiringer |
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A History of Western Music by Donald J. Grout |
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Institute for Studies in American Music Newsletter by Wiley H. Hitchcock |
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Music in the United States by Wiley H. Hitchcock |
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The Phonograph and Our Musical Life
by Wiley H. Hitchcock, Roger Reynolds, et. al. |
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The Future of the Performing Arts: by W. McNeil Lowry, et. al. |
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Cross Talk 6 by Gordon Mumma, et. al. |
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Twentieth Century Music by Robert Morgan |
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Music History from Primary Sources by Jon Newsom and Alfred Mann |
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Baroque Music by Claude V. Palisca |
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Masterpieces of Music Before 1750 by Carl Parrish and John F. Ohl |
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The Notation of Medieval Music by Carl Parrish |
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A Treasury of Early Music by Carl Parrish |
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Genesis of a Music by Harry Partch |
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Alien Territory:
edited by Bill Perriner |
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The Orchestra:
edited by Joan Peyser |
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Note Book by Lassi Rajamaa |
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Music in the Renaissance by Gustave Reese |
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Arts in Society: by Roger Reynolds |
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Cross Talk Intermedia Festival Archive Program Boxes by Roger Reynolds |
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Cross Talk 1 by Roger Reynolds, et. al. |
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Cross Talk 2 by Roger Reynolds, et. al. |
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Cross Talk 3 by Roger Reynolds, et. al. |
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Cross Talk Intermedia by Roger Reynolds, et. al. |
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Horizons '84: The New Romanticism - by Roger Reynolds, et. al. |
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Performing Arts Magazine: by Roger Reynolds, et. al. |
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Sonata Forms by Charles Rosen |
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The Classical Style:
by Charles Rosen |
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The History of Musical Instruments by Curt Sachs |
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Rhythm and Tempo by Curt Sachs |
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The Rise of Music in the Ancient World by Curt Sachs |
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On Late Style by Edward W. Said |
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Music in the Medieval World by Albert Seay |
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Extreme Exoticism by W. Anthony Sheppard |
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Direct Approach to Counterpoint in the 16th Century Style by Gustave Fredric Soderlund |
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Examples of Gregorian Chant and Works by Lassus, Palestrina and Ingegneri for use in classes of counterpoint by Gustave Fredric Soderlund |
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Music Notation in the Twentieth Century by Kurt Stone |
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Twentieth Century Music by H. H. Stuckenschmidt |
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Iannis Xenakis:
by Unknown |
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Cross Talk Programs, Reviews, Features, Photographs by Various |
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ONCE Festival original programs and documents by Various |
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ONCE Again 2010 festival programs and documents by Various |
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Les Cahiers du Centre International de Recherches en Esthetique Musicale
by Nicolas Verin, et. al. |
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The Music of ONCE: Emily Weimgarten |
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International Computer Music Conference 1984 by Davie Wessel, et. al. |
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Twentieth Century Music by Peter Yates |
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Cross Talk 5 by Yuasa, et. al. |
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