WRITINGS


FURTHER WRITINGS BY ROGER REYNOLDS
WRITINGS ABOUT ROGER REYNOLDS


BOOKS

by Roger Reynolds


MIND MODELS: New Forms of Musical Experience
[Praeger Publishers, Inc., New York, 1975 ]
111 Fourth Avenue
New York, NY 10003
Revised Edition 2004 NEWLY PUBLISHED by Routledge, New York
[Publisher: Routledge, New York]
Routledge Publishers
29 West 35th Street
New York, New York 10001
USA
Tel: +1 (212) 216-7800
Fax: +1 (212) 564-7854


A SEARCHER'S PATH: A Composer's Ways
I.S.A.M. Monographs: Number 25; Copyright by Roger Reynolds, 1987
[Institute for Studies in American Music, New York]
Conservatory of Music
Brooklyn College of the City University of New York
Brooklyn, NY 11210
(Can be located at certain libraries, and, look to this Web site for future availability.)


A JOSTLED SILENCE: Contemporary Japanese Musical Thought
[Perspectives of New Music, Inc., in 3 parts:
Vol. 30, No. 1, Winter 1992; pp.22-80
Vol. 30, No. 2, Summer 1992; pp. 60-100
Vol. 31, No. 2, Summer 1993; pp. 172-228
School of Music DN-10
University of Washington
Seattle, WA 98195
Tel: +1 206 543 0196
Fax: +1 206 543 9285


FORM AND METHOD: Composing Music [The Rothschild Essays]
[Publisher: Routledge, New York]
Routledge Publishers
29 West 35th Street
New York, New York 10001
USA
Tel: +1 (212) 216-7800
Fax: +1 (212) 564-7854)



WRITINGS ABOUT ROGER REYNOLDS
BOOKS BY ROGER REYNOLDS


FURTHER WRITINGS
by Roger Reynolds

"Interview with Roger Reynolds," John Cage, Henmar Press Inc., C.F. Peters Corporation, New York, 1962; pp. 45-52. (First printed in Generation Magazine, Ann Arbor, Michigan.)

"John Cage: Interview with Roger Reynolds" (1962), Contemporary Composers on Contemporary Music, eds. Schwartz and Childs, Holt, Rinehart & Winston, New York, 1967; pp. 335-348.
"Notes on the Control of Spatial Dimensions of Music," Talea 2/3, Universidad Nacíonal de México, Mexico City, Spring, 1976.

"Explorations in Sound/Space Manipulation, I. (1975)" Reports from the Center for Music Experiment, UCSD, La Jolla, 1977, Vol. I, No. 1.

"Thoughts on Sound Movement and Meaning," Perspectives of New Music, Spring-Summer 1978; pp. 181-190.

"John Cage and Roger Reynolds: A Conversation," The Musical Quarterly, Vol. LXV, No. 4, October 1979; pp. 573-594.

"John Cage and Roger Reynolds: A Conversation" (1979), Thoughts about Music: John Cage's World (translated from English into Japanese by Jo Kondo), Asahi Shuppan-sha, Tokyo, 1981.

"John Cage: Interview with Roger Reynolds" (1962), Thoughts about Music: John Cage's World (translated from English into Japanese by Jo Kondo), Asahi Shuppan-sha, Tokyo, 1981.

"Conlon Nancarrow: Interviews in Mexico City and San Francisco," (in Mexico City, 12 July 1975), American Music, Summer 1984, Vol. 2, No. 2; pp. 1-24.

"Réaliser une expérience musicale," Quoi? Quand? Comment? La recherche musicale (translated from English into French by D. Collins), ed. T. Machover, Christian Bourgois, Éditeur, Ircam, Paris, 1985; pp. 241-270.

"A perspective on form and experience," Music and psychology: a mutual regard, edited by Stephen McAdams, Contemporary Music Review, Vol. 2, No. 3, Part 1, 1987; pp. 277-308.

"The Edge of Imagination," chapter in A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, eds. R. Crawford, R. A. Lott, C. J. Oja, University of Michigan Press, Ann Arbor, 1990; pp. 492-500.

"L'ajustement de la sensibilité à une ensemble de constraintes," Inharmoniques, No. 8/9, coedited by Christian Bourgois, Éditeur, and Ircam, Paris, 1991; pp. 173-177.

"Par-delà les dimensions connues," Le timbre, métaphore pour la composition, ed. Jean-Baptiste Barrière, Christian Bourgois, Éditeur, Ircam, 1991; pp. 467-484.

"Across Unbridgeable Divides" (published in French), statement, Utopies -- les cahiers de l'IRCAM, No. 4, 1993

"Seeking Centers, " extended review article in Perspective of New Music (Vol. 32, No. 2, Summer 1994) of Music, Myth and Nature, an explorative essay by F.-B. Mâche.

Notes for a Lecture: "Why are we doing what we are doing?" in Sävellys ja musiikinteoria, Sibelius Academy, No. 1/95, Fall 1994; pp. 6-14.

Notes for a Lecture: "Extending Imagination's Reach" in Sävellys ja musiikinteoria, Sibelius Academy, No. 2/94, Fall 1994.

"Mirrors," by Toru Takemitsu, edited and annotated by Roger Reynolds; trans. with Sumi Adachi, in Asian Art and Culture, the Smithsonian Institution, Vol. VIII, No. 3, Oxford University Press, Fall 1995 (re-edited from A Jostled Silence by Roger Reynolds, printed in Perspectives of New Music).

"...Taste, Boundaries, Relevance, Purpose, Risk... (about Salvatore Martirano)," In Memoriam Salvatore Martirano, Perspectives of New Music, Winter 1966, Vol 34, No. 1; pp. 200-207.

Keynote Speech: "Connecting Dreams with Realities: a perspective on Technology from the (distant) domain of Art," Proceedings of Open Classroom II Conference (School Education in the Information Society), Crete, Greece, September 17-19, 1997.

"The Indifference of the Broiler to the Broiled," Chapter 15 in Samuel Beckett and Music, edited by Mary Bryden, Clarendon Press, Oxford Press, 1998; pp. 195-211.

"Das Aufeinanderprallen der Tempi trägt meine Musik," (translation of "Conlon Nancarrow: Interviews in Mexico City and San Francisco"), MusikTexte 73/74, March 1998; pp. 99-108.

Ross Lee Finney: Memorial Words from Roger Reynolds," Musically Incorrect, eds. H. Biggs and S. Orzel, C.F. Peters Corporation, New York, 1998; pp. 3-19.

"...Ein Gehühl für eine Warnung" ("Robert Ashley: A feeling about a warning") (translated from the English by Gisela Gronemeyer), MusikTexte 141, Köln, Germany, May 2014, pp. 91-96.



FURTHER WRITINGS BY ROGER REYNOLDS
BOOKS BY ROGER REYNOLDS


WRITINGS
about Roger Reynolds

Entry in America's Music, by Gilbert Chase, McGraw-Hill Book Company, 1966 (revised second edition); pp. 664-667.

Soundpieces: Interviews with American Composers, eds. C. Gagne and T. Caras, The Scarecrow Press, Inc., Metuchen, NJ, and London, 1982; pp. 320-336.

Roger Reynolds: Profile of a Composer, ed. D. Gillespie, C.F. Peters Corporation, New York, 1982.

"Composer Considers His Pulitzer, And Then Gets Back to Work," by Allan Kozinn, The New York Times, 10 April 1989.

"Roger Reynolds," Musical America, John Willett, November 1990.

"Roger Reynolds: An Interview with Toru Takemitsu," Polyphone, Tokyo, 1991, Vol. 9; pp. 153-164.

Entry in Contemporary Composers, by Ciro G. Scotto, St. James Press, Chicago/London, 1992.

"En attendant Roger Reynolds," Risto Nieminen [en français], Résonance, Ircam, Paris, June 1993, No. 4; pp. 14-15.

"Roger Reynolds and Toru Takemitsu: A Conversation," The Musical Quarterly, Spring 1996, Vol. 80, No. 1; pp. 61-76.

"Roger Reynolds," Entry in American Music in the Twentieth Century, by Kyle Gann, Schirmer Books, 1998; pp. 170=171.

"Jedes Komponisten Komponist" ("Every Composer's Composer") (panel discussion at the 1981 New Music America Festival in San Francisco), MusikTexte 73/74, March 1998; pp. 79-90.

"Archipelago de Roger Reynolds. La spécificité du projet dans son contexte esthétique et technique; son analyse en regard des sciences de la perception," by Philippe Lalitte (doctoral work for the Université Paris-Sorbonne (Paris IV)), June 1998.

"Binäre Gegensätze, Der US-amerikanische Komponist Roger Reynolds," by John Warnaby, MusikTexte 78, March 1999; pp. 19-26.

"Surround's Watershed Event," by Richard Zvonar, Surround Professional Magazine, Vol. 1, No. 3, April 1999; pp. 60-62.

"Ein andauerndes Jetzt. Roger Reynolds im Gespräch" with Martin Hiendl ("an ongoing now") (translated from the English by Gisela Gronemeyer), MusikTexte 142, Köln, Germany, August 2014, pp. 21-26.