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ACTIONS (2018-2020) [SHARESPACE V], cf. SERIES
Solo Piano, Real-time algorithmic transformation
First performance:
Eric Huebner, Piano, Jacob Sundstrom, Computer Musician
TECHNICAL MANUAL
Four Real-Time Algorithms, Roger Reynolds (with Jaime E. Oliver and Paul Hembree) (2015)
Technical manual for the use of software in the works of Roger Reynolds (SEASONS: Cycle 1, Dream Mirror, MARKed MUSIC, Toward Another World, Toward Another World: LAMENT, Positings, george WASHINGTON, FLiGHT, "Shifting, Drifting," ACTIONS)
EP68491
Again (originally titled Template series one) [rev. 1971-74]
(1970) 30'
2 Sopranos, 2 Fl, 2 Tbn, 2 Perc, 2 Db,
Quadraphonic electroacoustic sound, amplification, optional lighting
First performance: 20 July 1970
American Festival, Nuits de la Fondation Maeght, St-Paul-de-Vence
Evenings for New Music Ensemble, Lukas Foss, Conductor
EP66249
AngelSpace (2010) 24'
Real-time interactive computer music
First performance
: 5 June 2010
Jacob Sudol, Computer Musician
ICMC, Stony Brook University - SUNY
Stony Brook, New York
EP88320
The Angel of Death, cf. SOLO WITH ENSEMBLE
Solo Piano, Chamber Orchestra,
6-channel computer processed sound
Archipelago, cf. INSTRUMENTAL ENSEMBLE
Chamber Orchestra (32 players),
4- or 8-channel computer processed sound
Ariadne's Thread, cf. STRINGS
String Quartet, Computer generated sound
...brain ablaze...she howled aloud, cf. INSTRUMENTAL
ENSEMBLE
One, two, or three Piccolos, Computer processed sound, Real-time computer
spatialization
Compass, cf. VOICE(S) AND INSTRUMENT(S)
Tenor, Bass, Vc, Db, Quadraphonic electroacoustic sound,
35mm slide projections
Dervish (1962), cf. INSTRUMENTAL ENSEMBLE
Piano, Percussion, Db,
Stereophonic electroacoustic sound
Dream Mirror (2010) 22' [SHARESPACE I], cf. SERIES
Solo Guitar, Real-time algorithmic transformation
First Performance: 1 April 2011
Pablo Gómez Cano, Guitar, Jaime Oliver, Computer Musician
"Music of Roger Reynolds"
Centro Mexicano para la Música y Artes Sonoras
Conservatorio de las Rosas
Morelia, Mexico
EP68426
TECHNICAL MANUAL
Four Real-Time Algorithms, Roger Reynolds (with Jaime E. Oliver and Paul Hembree) (2015)
Technical manual for the use of software in the works of Roger Reynolds (SEASONS: Cycle 1, Dream Mirror, MARKed MUSIC, Toward Another World, Toward Another World: LAMENT, Positings, george WASHINGTON, FLiGHT, "Shifting, Drifting," ACTIONS)
EP68491
The Dream of the Infinite Rooms, cf. ORCHESTRA
Solo Cello, Orchestra, Quadraphonic computer processed sound
Eclipse [Voicespace III] ELECTROACOUSTIC VERSION (1979) 16:10', cf. SERIES
Electroacoustic vocal work
Quadraphonic computer generated and processed sound,
Electronically processed voices
Text fragments by Issa, Melville, Stevens,
Borges (The Moon, The Other Tiger ["...in the sun or deceptive moonlight..."]),
Joyce, García Márquez, Joyce, García Márquez
Recorded voices: Carol Plantamura, Philip Larson
Recordings: Roger Reynolds
Technical assistance: Loren Rush
First performance: 18 February 1982
Symphony Space, New York City
(Concert in honor of Ross Lee Finney)
1976 Bicentennial Year National Endowment for the Arts Award (sound version)
EP67010
Rental at Zinfonia
Eclipse [Voicespace III] VIDEO VERSION, cf. MULTIMEDIA and SERIES
FLiGHT (Stage 1) cf. MULTIMEDIA
String Quartet, Multiple projection surfaces, Multichannel sound distribution
...from behind the unreasoning mask, cf. INSTRUMENTAL
ENSEMBLE
Trombone, Percussion (+ Assistant),
Quadraphonic electroacoustic sound
The Image Machine (2005) 25'
Real-time interactive computer music
Roger Reynolds, Computer, Pei Xiang, Musical assistant
First performance: 6 October 2005
Roger Reynolds, computer
Ultima Festival, Oslo
The Ivanov Suite (1991) 32:20'
Quadraphonic omputer processed sound
(originally in an 8-channel format)
I. Trumpet Dream, II. The Scream, III. Religious Music,
IV. The Brides, V. Piccolo Dream,
VI. Monogatari ("Stories"), VII. Primitive Music
First performance: 5 July 1992
Computer Music Conference/Festival, Delphi, Greece
Commissioned by the Rockefeller Foundation
for rent on Zinfonia
Here and There, cf. PERCUSSION
Percussion
Justice, cf. MUSIC FOR THEATER and SERIES
Actress, Soprano, Percussion, Multichannel computer sound,
Real-time spatialization, Staging
Text: assembled by the composer from Aeschylus
Less Than Two, cf. INSTRUMENTAL ENSEMBLE
2 Pianos, 2 Percussion,
Quadraphonic computer generated sound
MARKed MUSIC (2011) 18' [SHARESPACE II], cf. SERIES
Solo Contrabass, Real-time algorithmic transformation
First performance: 25th August 2011
Mark Dresser, Contrabass, Jaime Oliver, Computer Musician
The Stone, New York City
EP68416
TECHNICAL MANUAL
Four Real-Time Algorithms, Roger Reynolds (with Jaime E. Oliver and Paul Hembree) (2015)
Technical manual for the use of software in the works of Roger Reynolds (SEASONS: Cycle 1, Dream Mirror, MARKed MUSIC, Toward Another World, Toward Another World: LAMENT, Positings, george WASHINGTON, FLiGHT, "Shifting, Drifting," ACTIONS)
EP68491
A Merciful Coincidence [Voicespace II] ELECTROACOUSTIC VERSION (1976) 35:47', cf. SERIES
Quadraphonic vocal montage
Text: extract from Watt, a novel by Samuel Beckett
First performance electroacoustic version: 11 December 1976
Currents Series, Theatre Vanguard, Los Angeles
1976 Bicentennial Year National Endowment for the Arts Award
EP67809
A Merciful Coincidence [Voicespace II] THEATER VERSION
cf. MUSIC FOR THEATER and SERIES
Not Only Night, cf. VOICE(S) AND INSTRUMENT(S)
Soprano, Fl (Picc), Cl Eb (B-cl), Pf, Vl, Vc,
Stereophonic computer processed sound
Odyssey, cf. VOICE(S) AND INSTRUMENT(S)
(originally titled Entre le galet et la dune)
Mezzo Soprano, Bass Baritone, Ensemble (16 players),
8-channel [4 + 4] computer processed sound, lighting
The Palace [Voicespace IV], cf. SOLO and SERIES
(Modest staging) Bass Baritone, Quadraphonic computer processed sound
Personae, cf. SOLO WITH ENSEMBLE
Solo Violin, Chamber Ensemble,
Stereophonic or Quadraphonic computer processed sound
Ping, cf. MULTIMEDIA
Fl, Perc (Harmonium, Bowed Tam Tam, Bowed Cymbal), Pf,
35mm slide projections, 16mm film,
Quadraphonic electroacoustic sound, live electronic processing
Positings, cf. INSTRUMENTAL ENSEMBLE
Flute/Piccolo, French horn, Violin, Cello, Piano, Real-time sound spatialization
Process and Passion, cf. STRINGS
Violin, Cello, Computer processed sound, Real-time computer spatialization (optional)
The Red Act Arias, cf. ORCHESTRA and SERIES
Orchestra, Chorus, Narrator, 8-channel computer processed and spatialized
vocal, instrumental, and environmental sound
The Red Act Arias Suite 2001 (1997-2001) 15', cf. SERIES
Multichannel computer processed sound
First performance: 8 May 2001
Warren Lecture Halls – Studio A, University of California, San Diego
First performance (1st version, 1997): 4 May 1998
Programa Musicistas,
Instituto de Artes da Universidade Federal do Rio Grande do Sul,
Porto Alegre, Brazil
Parts Rental on Zinfonia
SANCTUARY I, II, III, cf. PERCUSSION
Percussion Quartet, Real-time computer processed and spatialized sound, Lighting
design
SEASONS: Cycle I, cf. INSTRUMENTAL ENSEMBLE
Flute, Bass Clarinet, Violin, Cello, Percussion, Real-time computer sound processing
...the serpent-snapping eye... (1978) 20'
Tpt, Perc, Pf, Quadraphonic computer synthesized sound
First performance: 31 January 1979
Mandeville Center for the Arts, La Jolla, Sonor Ensemble,
Edwin Harkins, Trumpet, Jean-Charles François, Percussion, Cecil
Lytle, Piano
National Endowment for the Arts Award
EP66821
Shifting/Drifting (2015) 23'37" [SHARESPACE IV], cf. SERIES
Solo Violin, Real-time algorithmic transformation
First performance: 25 September 2015
Irvine Arditti, Violin, Paul Hembree, Computer Musician
ArtPower
Experimental Theater
Conrad Prebys Music Center
La Jolla, California
Score EP68552
TECHNICAL MANUAL
Four Real-Time Algorithms, Roger Reynolds (with Jaime E. Oliver and Paul Hembree) (2015)
Technical manual for the use of software in the works of Roger Reynolds (SEASONS: Cycle 1, Dream Mirror, MARKed MUSIC, Toward Another World, Toward Another World: LAMENT, Positings, george WASHINGTON, FLiGHT, "Shifting, Drifting," ACTIONS)
EP68491
Sketchbook (for The Unbearable Lightness of Being), cf.
SOLO
Low female voice accompanying herself at the piano,
electronic processing
Still [Voicespace I] (1975) 21'35", cf. SERIES
Electroacoustic vocal work
Quadraphonic electroacoustic sound
Text from The Wanderings of Cain by Samuel Taylor Coleridge
First performance: 27 October 1976
Sixth Annual Contemporary Music Festival, Las Vegas
1976 Bicentennial Year National Endowment for the Arts Award
EP67808
For Rent on Zinfonia
Submerged Memories, cf. SOLO WITH ENSEMBLE
Narrator, B-cl, Vln, Elect Gtr, Perc,
Electroacoustic processing, Visual projections
Summer Island (Islands from Archipelago: I), cf. SOLO
Solo Oboe, Quadraphonic computer processed sound
Toward Another World (2010) 16'19"
Solo Clarinet, Real-time algorithmic transformation
[Preliminary version for Toward Another World: LAMENT]
First performance: 12 July 2011
Bill Kalinkos, Solo Clarinet, Jaime Oliver, Real-time algorithmic transformation
MIZZOU New Music Summer Festival
Whitmore Recital Hall, University of Missouri
Columbia, Missouri]
TECHNICAL MANUAL
Four Real-Time Algorithms, Roger Reynolds (with Jaime E. Oliver and Paul Hembree) (2015)
Technical manual for the use of software in the works of Roger Reynolds (SEASONS: Cycle 1, Dream Mirror, MARKed MUSIC, Toward Another World, Toward Another World: LAMENT, Positings, george WASHINGTON, FLiGHT, "Shifting, Drifting," ACTIONS)
EP68491
Toward Another World: LAMENT (2010-2017) 25'07" [SHARESPACE III], cf. SERIES
Solo Clarinet, Real-time algorithmic transformation
First performance: 31 July 2017
Anthony Burr, Solo Clarinet, Jacob Sundstrom, Real-time algorithmic transformation
Society for Music Perception and Cognition Conference
Calit2 Auditorium
University of California, San Diego
TECHNICAL MANUAL
Four Real-Time Algorithms, Roger Reynolds (with Jaime E. Oliver and Paul Hembree) (2015)
Technical manual for the use of software in the works of Roger Reynolds (SEASONS: Cycle 1, Dream Mirror, MARKed MUSIC, Toward Another World, Toward Another World: LAMENT, Positings, george WASHINGTON, FLiGHT, "Shifting, Drifting," ACTIONS)
EP68491
Traces, cf. PIANO
Piano, Fl, Vc, Multichannel electroacoustic sound (6 channels [3 stereo pairs]),
Real-time electronic signal processing
Transfigured Wind II, cf. ORCHESTRA
Solo Flute, Orchestra, Quadraphonic computer processed sound
Transfigured Wind III, cf. SOLO WITH ENSEMBLE
Solo Flute, Chamber Orchestra (14 players),
Quadraphonic computer processed sound
Transfigured Wind IV, cf. SOLO
Solo Flute, Quadraphonic computer processed sound
The Vanity of Words [Voicespace V] (1986) 20'12", cf. SERIES
Electroacoustic vocal work
Stereophonic computer processed sound only
Text drawn from The Unbearable Lightness of Being by Milan Kundera
First performance: 6 June 1987
Festival International de Musique Expérimentale, Bourges
for rent on Zinfonia
Versions/Stages I-V (1986-91) 25', cf. SERIES
Computer processed sound
I. Cello Dream, II. Dionysus (Text: Tadashi Suzuki's
adaptation of Euripides' The Bacchae), III. Waterfall,
IV. Farewell Cult (Text: Tadashi Suzuki's
"The Farewell Cult"), V. Ocean
First presentation: 29 March 1994
Intercambio/Exchange Concerts, CRCA, La Jolla
for rent on Zinfonia
Symphony[Vertigo] (1987) 23', cf. ORCHESTRA
Orchestra, Quadraphonic computer processed sound
2 Fl (II = Picc), A-fl, 2 Ob, Ca, 2 Cl (II = Cl Eb), B-cl, 2 Bsn, Cbsn,
4 Hn, 3 Tpt, 2 Tbn, B-tbn, Tba, Perc, Pf, Hp, Str
Vertigo ELECTROACOUSTIC VERSION (1985) 19'30"
Quadraphonic computer processed sound
First performance: 25 April 1987
New and Unusual Music, San Francisco
Written under the auspices of the Systems Development Foundation
for rent on Zinfonia
Video version, cf. MULTIMEDIA
SUMMARY:
VOICESPACE I - V (1975-1986), cf. SERIES
Voicespace I, Still, Quadraphonic electroacoustic work using voices
Written with support from a 1976 Bicentennial Year National Endowment for the Arts Award
There is no score. Digital sound files available on rental.
EP67808
Voicespace II, A Merciful Coincidence, Quadraphonic electroacoustic work using voices
Written with support from a 1976 Bicentennial Year National Endowment for the Arts Award
Score. Digital sound files available on rental.
EP67809
(There is
music for a THEATER VERSION for 3 vocalists and electroacoustic sound.
VOICESPACE II HAS 2 VERSIONS)
Voicespace III, Eclipse, Quadraphonic electroacoustic work using voices and computer-synthesized sound
Written with support from a 1976 Bicentennial Year National Endowment for the Arts Award
There is no score. Digital sound files available on rental.
EP67809
(VOICESPACE III HAS 2 VERSIONS, one with VIDEO by Ed Emshwiller.) cf. MULTIMEDIA
The VIDEO VERSION was commissioned by The Solomon R. Guggenheim Museum
Voicepace IV, The Palace, (Modest lighting and staging), Bass Baritone, Quadraphonic computer processed sound
Written with support from a 1976 Bicentennial Year National Endowment for the Arts Award
Score for sale, required digital sound files available on rental.
EP66856
Voicespace V, The Vanity of Words, Stereo computer-processed sound
rental on Zinfonia
[Voicespace I-IV were written with the assistance of a 1976 Bicentennial Year National Endowment for the Arts Award.
The multimedia version of Voicespace III, Eclipse, was commissioned by
The Solomon R. Guggenheim Museum. Voicespace V, The Vanity of Words was not a commission.]
Watershed III, cf. SOLO WITH ENSEMBLE
Solo Percussion, Chamber Orchestra,
Optional real-time computer sound spatialization
Watershed IV (1995) 29'
Solo Percussion, Real-time computer sound spatialization
First performance: 11 April 1996
Mandeville Center for the Arts, La Jolla
Steven Schick, Percussion, Peter Otto, Spatialization
Rental on Zinfonia
TECHNICAL SCORE by Roger Reynolds
EP67667D
Watershed V (2020)
Solo Percussion, Real-time computer sound spatialization
First performance: 1 September 2020
Mathias Reumert, Percussion
Copenhagen, Denmark
TECHNICAL SCORE by Roger Reynolds
EP67667E
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